Medieval SamusAn old character of mine that I regularly revisit to test my skills at cartoon design.
PROJECT OVERVIEW: The SF Mirrors Project is a public art project with one simple purpose at it’s core - to spread a bit of random happiness. The idea is to create a public art installation overnight throughout the city of San Francisco (my home) spreading messages of inspiration, encouragement, and hope.
To do this, the plan is to purchase as many mirrors as possible through your support here on Kickstarter. These mirrors will be roughly 3 feet tall by 1.5 feet wide, and made from acrylic for safety reasons. At the top of each mirror in bold lettering, we’ll inscribe a one-sentence inspiring message (some of which will be supplied by the Kickstarter community). Then once all of the mirrors have been prepared, a team of friends and I will choose a late Sunday night to place the mirrors throughout the entire city - onto bare walls, sides of buildings, and other public spaces. It’s my hope that the people who walk past these mirrors in the following days will stop, take a moment to look at themselves, read the messages, and walk away feeling inspired, confident, and happier, which in-turn hopefully gets spread to others they interact with.
And for now it’s just San Francisco, but depending on how well this goes, in the future it could be the multiple cites throughout the US, or even international.
WHERE THE MONEY GOES: Every dollar raised here goes directly into covering the cost of the mirrors. So bottom line: the more money, the more mirrors, and the bigger the project becomes. I’m anticipating a cost of around $25-35 per mirror... hopefully a nice big bulk order will help keep the price as low as possible. If you know someone that might be able to get me a killer deal on the mirrors - please let me know.
SAFETY / LOGISTICS: The mirrors will not be glass based - but will be shatter-proof plastic based. This is for safety reasons as the last thing I want is for one of the mirrors to fall, shatter, or otherwise hurt anyone. The mirrors will be stuck to walls with a strong but NON-PERMANENT adhesive foam tape, so if the owner of a building doesn't want the mirror there - they have the right and WILL be able to take it down without any damage.
SUPPORT THE PROJECT: Check out the rewards section to see what we can give back if you want to help fund the project. Even if you cant afford to contribute, I encourage anyone to leave their comments and feedback about the project. Please spread the word online through sites like Facebook and Twitter or any blogs you like. Thanks for checking out the project - Let’s do something genuinely amazing.
You can help this project by going to http://www.kickstarter.com/projects/akinbilgic/the-sf-mirrors-project"My Dad the Giant" is a work in progress, and has recently been accepted to the Mitten Movie Project. I am looking for funding to help me finish the film for its debut in September 2011. The film is 90% animated, with the rest of the time spent on rendering, doing backgrounds, sound, and composting. I am an independent animator, and a recent graduate of the College for Creative Studies in Detroit Michigan. As you may imagine I don't have a lot of money for a film of this scope, and funding from people like yourself can help me purchase materials, paper, and ways of distributing my film to festivals.
"My Dad the Giant", is a personal film of mine, based on my relationship with my sister, and with my father. The story follows a young boy named Emilio, and son of the great fictional painter Brianelli. All Emilio wants is his fathers acknowledgment, and all Brianelli wants is to be left to his work. What follows is a series of miss-communications until both characters explode out of frustration. I've worked hard on this narrative for about a year. It has been on hiatus for a few months, until I got word that the Mitten Movie Project had seen a WIP of my film and was interested in showing it. I was overjoyed of course, but also realized that now I was faced with the challenge of finishing my film.
The film requires, due partly to my ambition and on how I want to tell the story, a lot of rendering and layers for each scene. Light for one plays a large role in how the story is told, and each animation has been an experimentation in combining illustrative techniques with fluid and believable character acting. The Mitten Movie Project is the first festival I will be premiering my film at, and I hope that will kick-start my films festival run. Other festivals I plan on submitting my film to are KAFI, and Ottawa. So I'm asking you for support in this goal, and I've put together some gift ideas in exchange for donations. From signed animation frames, concept art, and movie credits, to even a production booklet in which I can describe the unique experience it's been trying to create an independent animated film here in Michigan.
It's odd to ask for money like this, but if you feel like you want to help a recent grad get his first film to festivals, then I thank you for your donations and I hope to see you at the Mitten Movie Project in September of 2011.
Proof of concept is below in my first fully colored render!Private SNAFU, Golden Classics: Jerry Beck Special Feature from Patrick Stannard on Vimeo.
Demo Reel 12/14/2010 from Patrick Stannard on Vimeo.
My former teacher, friend, and animation director of Thunderbean Animation brought me on to help him develop animated title sequences for the release of the "Private SNAFU" DVD. In order to get a good idea of both the character and construction of SNAFU, I stepped through many of the films and rendered the drawings in an effort to capture that Warner Bros. Style.
A poster promoting my 3rd year film "Because it's There" a story about a little boy overcoming his fear of heights, and a concept sketch for my rendition of the "Little Red Riding Hood" Story, set in a post apocalyptic setting.
Drawings done through independent Life Drawing sessions held by both the school and friends.
Leprechaun designs based off of the most ancient myths I could find about them, whilst adding some aspects of Norse animals to the mix. Brandishing long red coats, tall tri-cornered hats, and goat like eyes, these are the type of Leprechauns that will leave you without your skin, rather than try and promote sugary cereal to you.
My good friend and project lead Mike Winn, commissioned me to produce concept art, story boards, animation, and shadow modeling for "The ARMS Masters project". This design for a bounty hunter, aptly named Hunter, is influenced from panthers, tribal tattoos, and the Hyena Men of Africa. Details were toned down to prepare the designs for animation.
Placing 9th out of 158 entries in the June 2010 competition of the 11 Second Club, "Herbert and Gloria" features a sloppy tiger and a sophisticated Ostrich amidst their quarrels at the dinner table.
For a story concept involving prehistoric mammals and their rise to technological feats while riding dinosaurs, this environment showcases a lava distribution and thermal steam power plant that helps turn the gears of war for feuding tribes of prehistoric moles.
Concept and animation sketches taken from my film "My Dad the Giant." Emilio is an 8 year old child searching for acknowledgement from a father who's far too emersed in his work to pay attention. Emilio's design is based off of a candle stick, with bright colors and upward direction to help him feel light and full of energy.
Concept designs for Brianelli, the father character in my film "My Dad the Giant." In contrast to Emilio's design, Brianelli is designed to feel massive, slow, lumbering, and imposing. His heavy brow and arms are an effort to make him feel serious and intimidating. Deep set eyes needed to be flexible to reveal his softer side when he has a revelation towards the end of the film.
Concept design for the Big Bad Wolf in my rendition of the story "Little Red Riding Hood" set in a post apocalyptic setting. Demo Reel 10/2010 from Patrick Stannard on Vimeo.
Inside joke alert! Interbutts is Mel-speak for the internet.